Tuesday, May 23, 2006Israeli troops have captured Ibrahim Hamad, the leader of the military wing of the Islamic Group Hamas in the West Bank town of Ramallah. Israel accuses the 41-year-old Hamad (who has headed the Izzedine al- Qasam brigades in the West Bank since 2003) of masterminding a string of suicide bombings including attacks on cafes and universities in Jerusalem. Hamas, which has launched some of the biggest attacks against Israel, declared an informal truce 15 months ago. Since then, Hamas also won the palestinian parliamentary elections in January of this year.

The raid (which was executed early this morning) involved Israeli troops, jeeps and a bulldozer. Eye-witnesses say the soldiers surrounded a row of shops in which Hamad was hiding and threatened to demolish the building if he did not come out. The bulldozer then proceeded to ram the iron doors of the shops, after which Hamad emerged and surrendered. The Israeli troops then ordered him to strip to make sure he was unarmed. After this, he was arrested and taken away in his underwear.

Hamad had been wanted by Israel since 1998, he was arrested by the Palestinian Authority but was released in 2002 during a major Israeli offensive in the West Bank. The BBC’s correspondent in Jerusalem, Caroline Hawley says it is not clear why Israel moved against Hamad since Hamas has not carried out any attacks for over a year. Israeli operations in the past few months have been concentrated against the more active group Palestinian Islamic Jihad.

Sunday, July 27, 2008

Australian Transport Safety Bureau announced that an oxygen cylinder which was located near the area of the explosion on Qantas flight QF30 from London, England to Melbourne, Australia was unaccounted for but said that it was too early to say that an oxygen cylinder could be the cause of the mid-air explosion. It did say it had ruled out explosives as a cause stating that they “found no indication of explosives”.

The Civil Aviation Safety Authority has ordered Qantas to check all oxygen cylinders and the brackets which hold them on its Boeing 747s, but hasn’t ruled out that the order will be extended to all of the Qantas fleet.

Friday, March 11, 2005

A defendant on trial for rape in Atlanta, Georgia reportedly stole a deputy sheriff’s handgun and used it to shoot the judge, court reporter, and two deputies Friday morning. Three people were killed and one was wounded.

Fulton County Superior Court Judge Rowland W. Barnes has been confirmed dead along with the court reporter and one of the deputies. After the shootings, the suspect reportedly attempted to carjack several cars in a bid to escape. He attempted to carjack a green Honda Accord with license plate 6584-YN, from a newspaper reporter, but eventually fled by other means. The reporter in question, Don O’Briant from the Atlanta Journal-Constitution, was beaten by the suspect but was fortunate to receive only cuts to his face and a broken face from a fall.

The car was listed as being used by the suspect in public alerts across the area before it was realised that the car was in fact still in the garage of the courthouse.

The suspect has been identified as Brian Nichols, 34, who was facing a retrial for rape and kidnapping after the first trial ended with a hung jury. Police are desperately searching for Nichols, as he is considered armed and dangerous.

The suspect reportedly stole the handgun by overpowering a deputy sheriff while he was being taken into the courtroom by the deputy, said Assistant Police Chief Alan Dreher. He then shot and critically wounded the female deputy, went to the courtroom where his trial was due to take place, and held about a dozen people at bay there before killing the judge and court reporter. He later shot and killed another deputy outside.

The deputy from whom Nichols stole the handgun is now sedated and in critical condition after surgery and has a bruise in her brain, according to Jeffrey Salomone, an attending trauma surgeon at Grady Memorial Hospital. Although she was shot in the head, the bullet did not penetrate her skull, said Salomone.

Monday, August 21, 2006

A report by the International Water Management Institute (IWMI) says rising demand for irrigation to produce food and biofuels will aggravate scarcities of water. “One in three people is enduring one form or another of water scarcity,” states the report compiled by 700 experts.

IWMI warns there has to be a radical transformation in the management of water resources – citing as examples Australia, south-central China, and last year’s devastating drought in India. Report authors claim that the price of water could double or triple over the next two decades. The report, backed by the United Nations and farm research groups, shows that globally, water usage had increased by six times in the past 100 years and would double again by 2050 – driven mainly by irrigation and demands by agriculture.

Record oil prices and concerns about rapid onset climate change are driving more countries to produce biofuels – from sugarcane, corn or wood – as an alternative to fossil fuel. “If people are growing biofuels and food it will put another new stress,” says David Molden, who led the study at the Sri Lanka-based IWMI. “The big solution is to find ways to grow more food with less water. Basically, more crop per drop,” Molden said. “The number one recommendation… is to look to improve rain-fed systems in Sub-Saharan Africa and South Asia.”

The report says conquering hunger and coping with an estimated 3 billion more humans by 2050 will result in an 80 percent increase in water use for agriculture. Irrigation absorbs around 74 percent and is likely to surge by 2050.

“We will have to change business as usual in order to deal with growing scarcity,” said Frank Rijsberman, director general of the IWMI, of the report released at the 2006 “World Water Week” conference in Stockholm. Solutions included helping poor countries to grow more food with available fresh water via simple, low-cost measures, a shift from past policies that favoured expensive dams or canals, the report said.

According to Rijsberman, there are two types of shortages: those observed in regions where water is over-exploited, causing a lowering of groundwater levels and rivers to dry up; and those in countries lacking the technical and financial resources to capture water – despite its abundance.

Billions of people in Asia and Africa already faced water shortages because of poor water management, he said. “We will not run out of bottled water any time soon, but some countries have already run out of water to produce their own food,” he said.

The report said that a calorie of food took roughly 1 litre of water to produce, with a kilo of grain needing only 500-4,000 litres compared to a kilo of industrially produced meat taking 10,000 litres.

“Without improvements in water productivity the consequences of this will be even more widespread water scarcity and rapidly increasing water prices.” Rijsberman said water scarcity in Africa was caused by a lack of infrastructure to get the water to the people who needed it. “The water is there, the rainfall is there, but the infrastructure isn’t there,” Rijsberman told reporters.

Other recommendations for certain regions include the extension and the improvement of agriculture using rainwater, the introduction of cereal varieties that need less water as well as the development of irrigation systems.

But the priority, Rijsberman stresses, is to change mentalities and often outdated government policies. “Government policies and their approach to water are probably the most urgent that need changing in the short term,” he said.

There is, he says, enough land, water and human capacity to produce enough food for a growing population over the next 50 years, but one of the challenges is to provide enough water for agriculture without damaging the environment. “Agriculture is driving water scarcity and water scarcity is driving environmental degradation and destruction,” he said.

In Australia last week, Rijsberman said he would “not be surprised to see the price of water double or triple over the next two decades.”

Thursday, April 26, 2012

Former President of Liberia Charles Taylor was today found guilty of aiding and abetting war crimes by the Special Court for Sierra Leone in The Hague, Netherlands. Taylor was acquitted of actually ordering the offences or being part of a joint enterprise to conduct them.

The eleven-count indictment produced a four-year trial that heard allegations of rape, murder, sexual slavery, cannibalism, arms dealing, “blood” diamond trade, and use of child soldiers. Prosecution witnesses totalled 94 whilst the defence had 21 including the accused. Taylor spent his seven months of evidence claiming he was a peacemaker.

The allegations date to civil war in Sierra Leone, which ran from 1991 to 2002. Taylor, who had been a warlord since the ’80s, backed the rebel Revolutionary United Front (RUF). Taylor was elected Liberian president in 1997 after a different civil war concluded.

Six years later he was ousted when an arrest warrant was issued and fled to Nigeria. He was arrested there in 2006 whilst again trying to flee. Taylor, who had been facing a rebellion against him since 1999 in Liberia, had received training from Libyan ruler Colonel Muammar Gaddafi’s regime.

Testimony included claims that Taylor-backed fighters adorned roads with human intestines and ate human flesh. One claimed to have seen Taylor himself eat human liver, something Taylor denied. One described asking RUF rebels to sever his only hand in exchange for his young son’s life.

Further allegations said teenage children were involved in the fighting and that Taylor sold illegally mined diamonds to finance arms purchases for the RUF. Western celebrities Naomi Campbell, a model, and Mia Farrow, an actress, described an incident at a charity dinner held by Nelson Mandella, then South Africa’s head, in 1997. Campbell and Farrow said Taylor gifted Campbell a number of diamonds. Taylor is claimed to have ordered seizure of Sierra Leone’s diamond deposits by RUF soldiers.

It was claimed in court that child soldiers were used in conflict, as diamond mine guards, and to carry out amputations. Allegations of forced amputation were made.

The court, which has spent a year considering its verdicts, unanimously found Taylor guilty. It ruled Taylor knew at least from 1997 the full extent of RUF activities in Sierra Leone, and that he helped bankroll activities dealing in blood diamonds. A judge said more than a thousand youngsters had ‘RUF’ carved into their skin to prevent escape. From the moment he receives the full judgement Taylor has two weeks in which to file an appeal.

Human Rights Watch and Amnesty International welcomed the verdict, which is the first conviction of a head of state before an international court since the Nuremburg trials prosecuted Nazi leaders after World War Two. Karl Dönitz was convicted after he took brief control of Germany in the aftermath of Adolf Hitler’s suicide.

Former President of Yugoslavia Slobodan Milosevic faced trial but died before a judgement was handed down. Laurent Gbagbo, once Presldent of the Ivory Coast, is in custody at The Hague awaiting trial before the International Criminal Court. Taylor joins eight other Special Court convicts, all of whom are from Sierra Leone. He is the first African ruler to appear in The Hague.

The Special Court was formed jointly by Sierra Leone’s present administration and the United Nations.

The Netherlands agreed the process could be held there on the condition Taylor did not serve sentence there if convicted. He is expected to be sent to the UK, where Foreign Office has promised to uphold an agreement to imprison him there made by ex-Foreign Secretary Margaret Beckett.

Monday, December 19, 2005

In a radio speech from the White House on 17 December 2005, President Bush acknowledged that in the weeks following 9/11 he had “authorized the National Security Agency [NSA], consistent with U.S. law and the Constitution, to intercept international communications of people with known links to al Qaeda and related terrorist organizations.”

President Bush said that the government establishes a clear link to terrorist networks before intercepting these communications, adding that the purpose of the program is to “detect and prevent terrorist attacks against the United States and our allies.”

Stating that terrorists inside the United States were communicating with terrorists abroad before the 9/11 attacks, President Bush said that the authorization he gave the NSA “helped address that problem in a way that is fully consistent with my constitutional responsibilities and authorities.”

Secretary of State Condoleezza Rice said that established procedures requiring court approval were simply not quick and flexible enough to respond to the urgency of the terrorist threat, and to allow the administration to eavesdrop on highly mobile targets in order to disrupt potential plots.

Before Bush’s secret order, such wiretaps were obtained through the Foreign Intelligence Surveillance Act (FISA) of 1978. It prescribes procedures for requesting judicial authorization for electronic surveillance and physical search of persons engaged in espionage or international terrorism against the United States on behalf of a foreign power. FISA also allows the Attorney General to grant permission for emergency wiretaps without a warrant, with retroactive application being made within 72 hours. Historically, the vast majority of applications are accepted without modifications by FISA. For example in the 2004 report of FISA to Congress it is noted that the number of approved warrants with substantive modifications was 94 out of a total of 1758 while 5 applications were rejected.

House Intelligence Committee Chairman Peter Hoekstra defended Bush’s authorization of the surveillance program and to bypass the FISA. Chairwoman of the Homeland Security and Governmental Affairs Committee Senator Susan Collins announced a call on the NSA for a “full briefing” about the program, and said that the program’s authority needs to be clarified. House Minority Leader Nancy Pelosi said Bush’s radio address raised “serious questions as to what the activities were and whether the activities were lawful.”

The President noted that the NSA activities are reviewed “approximately every 45 days.” He added: “During each assessment, previous activities under the authorization are reviewed. The review includes approval by our nation’s top legal officials, including the attorney general and the counsel to the president.” All people involved in the periodic review are members of the executive branch.

Bush also said that NSA’s activities under this authorization are thoroughly reviewed by the Justice Department and NSA’s top legal officials, including NSA’s general counsel and inspector general, adding that “leaders in Congress have been briefed more than a dozen times on this authority and the activities conducted under it.” Members of Congress from both parties are now calling for congressional hearings to learn more.

The president concluded by saying that “this authorization is a vital tool in our war against the terrorists. It is critical to saving American lives. The American people expect me to do everything in my power under our laws and Constitution to protect them and their civil liberties.”

Thursday, December 1, 2011

Today saw Edinburgh’s Scottish National Portrait Gallery reopen following a two-and-a-half-year, £17.6m (US$27.4m) refurbishment. Conversion of office and storage areas sees 60% more space available for displays, and the world’s first purpose-built portrait space is redefining what a portrait gallery should contain; amongst the displays are photographs of the Scottish landscape—portraits of the country itself.

First opened in 1889, Sir Robert Rowand Anderson’s red sandstone building was gifted to the nation by John Ritchie Findlay, then-owner of The Scotsman newspaper and, a well-known philanthropist. The original cost of construction between 1885 and 1890 is estimated at over 70,000 pounds sterling. Up until 1954, the building also housed the Society of Antiquaries of Scotland who moved to the National Museum of Scotland buildings on Chambers Street. The society’s original meeting table now sits in the public part of the portrait gallery’s library, stared down on by an array of busts and phrenological artefacts.

Wikinewsie Brian McNeil, with other members of the press, received a guided tour of the gallery last Monday from Deputy Director Nicola Kalinsky. What Kalinsky described as an introduction to the gallery that previously took around 40 minutes, now takes in excess of an hour-and-a-half; with little in the way of questions asked, a more inquisitive tour group could readily take well over two hours to be guided round the seventeen exhibitions currently housed in the gallery.

A substantial amount of the 60% additional exhibition space is readily apparent on the ground floor. On your left as you enter the gallery is the newly-fitted giant glass elevator, and the “Hot Scots” photographic portrait gallery. This exhibit is intended to show well-known Scottish faces, and will change over time as people fall out of favour, and others take their place. A substantial number of the people now being highlighted are current, and recent, cast members from the BBC’s Doctor Who series.

The new elevator (left) is the most visible change to improve disabled access to the gallery. Prior to the renovation work, access was only ‘on request’ through staff using a wooden ramp to allow wheelchair access. The entire Queen Street front of the building is reworked with sloping access in addition to the original steps. Whilst a lift was previously available within the gallery, it was only large enough for two people; when used for a wheelchair, it was so cramped that any disabled person’s helper had to go up or down separately from them.

The gallery expects that the renovation work will see visitor numbers double from before the 2009 closure to around 300,000 each year. As with many of Edinburgh’s museums and galleries, access is free to the public.

The expected significant increase in numbers has seen them working closely with the National Museum of Scotland, which was itself reopened earlier this year after extensive refurbishment work; improved access for wheelchair users also makes it far easier for mothers with baby buggies to access the gallery – prompting more thought on issues as seemingly small as nappy-changing – as Patricia Convery, the gallery’s Head of Press, told Wikinews, a great deal of thought went into the practicalities of increased visitor numbers, and what is needed to ensure as many visitors as possible have a good experience at the gallery.

Press access to the gallery on Monday was from around 11:30am, with refreshments and an opportunity to catch some of the staff in the Grand Hall before a brief welcoming introduction to the refurbished gallery given by John Leighton, director of the National Galleries of Scotland. Centre-stage in the Grand Hall is a statue of Robert Burns built with funds raised from around the British Empire and intended for his memorial situated on Edinburgh’s Calton Hill.

The ambulatories surrounding the Grand Hall give the space a cathedral-like feel, with numerous busts – predominantly of Scottish figures – looking in on the tiled floor. The east corner holds a plaque commemorating the gallery’s reopening, next to a far more ornate memorial to John Ritchie Findlay, who not only funded and commissioned the building’s construction, but masterminded all aspects of the then-new home for the national collection.

Split into two groups, members of the press toured with gallery Director James Holloway, and Nicola Kalinsky, Deputy Director. Wikinews’ McNeil joined Kalinsky’s group, first visiting The Contemporary Scotland Gallery. This ground-floor gallery currently houses two exhibits, first being the Hot Scots display of photographic portraits of well-known Scottish figures from film, television, and music. Centre-stage in this exhibit is the newly-acquired Albert Watson portrait of Sir Sean Connery. James McAvoy, Armando Iannucci, playwright John Byrne, and Dr Who actress Karen Gillan also feature in the 18-photograph display.

The second exhibit in the Contemporary gallery, flanked by the new educational facilities, is the Missing exhibit. This is a video installation by Graham Fagen, and deals with the issue of missing persons. The installation was first shown during the National Theatre of Scotland’s staging of Andrew O’Hagan’s play, The Missing. Amongst the images displayed in Fagen’s video exhibit are clips from the deprived Sighthill and Wester-Hailes areas of Edinburgh, including footage of empty play-areas and footbridges across larger roads that sub-divide the areas.

With the only other facilities on the ground floor being the education suite, reception/information desk, cafe and the gallery’s shop, Wikinews’ McNeil proceeded with the rest of Kalinsky’s tour group to the top floor of the gallery, all easily fitting into the large glass hydraulic elevator.

The top (2nd) floor of the building is now divided into ten galleries, with the larger spaces having had lowered, false ceilings removed, and adjustable ceiling blinds installed to allow a degree of control over the amount of natural light let in. The architects and building contractors responsible for the renovation work were required, for one side of the building, to recreate previously-removed skylights by duplicating those they refurbished on the other. Kalinsky, at one point, highlighted a constructed-from-scratch new sandstone door frame; indistinguishable from the building’s original fittings, she remarked that the building workers had taken “a real interest” in the vision for the gallery.

The tour group were first shown the Citizens of the World gallery, currently hosting an 18th century Enlightenment-themed display which focuses on the works of David Hume and Allan Ramsay. Alongside the most significant 18th century items from the National Portrait Gallery’s collection, are some of the 133 new loans for the opening displays. For previous visitors to the gallery, one other notable change is underfoot; previously carpeted, the original parquet floors of the museum have been polished and varnished, and there is little to indicate it is over 120 years since the flooring was originally laid.

Throughout many of the upper-floor displays, the gallery has placed more light-sensitive works in wall-mounted cabinets and pull-out drawers. Akin to rummaging through the drawers and cupboards of a strange house, a wealth of items – many previously never displayed – are now accessible by the public. Commenting on the larger, featured oils, Deputy Director Kalinsky stressed that centuries-old portraits displayed in the naturally-lit upper exhibitions had not been restored for the opening; focus groups touring the gallery during the renovation had queried this, and the visibly bright colours are actually the consequence of displaying the works in natural light, not costly and risky restoration of the paintings.

There are four other large galleries on the top floor. Reformation to Revolution is an exhibition covering the transition from an absolute Catholic monarchy through to the 1688 revolution. Items on-display include some of the Scottish National Portrait Gallery’s most famous items – including Mary Queen of Scots and The Execution of Charles I. The portrait-based depiction of this historical age is complemented with prints, medals, and miniatures from the period.

Imagining Power is a Jacobite-themed exhibition, one which looks at the sometime-romanticised Stuart dynasty. The Gallery owns the most extensive collection of such material in the world; the portraiture that includes Flora MacDonald and Prince Charles Edward Stuart is complemented by glassware from the period which is on-loan from the Drambuie Liqueur Company which Kalinsky remarked upon as the only way Scots from the period could celebrate the deposed monarchy – toasting The King over the Water in appropriately engraved glasses.

On the other side of the upper floor, the two main naturally-lit exhibitions are The Age of Improvement, and Playing for Scotland. The first of these looks at societal changes through the 18th and 19th centuries, including Nasmyth’s 1787 portrait of the young Robert Burns and – well-known to past visitors to the portrait gallery – Raeburn’s 1822 depiction of Sir Walter Scott. These are complemented with some of the National Gallery’s collection of landscapes and earliest scenes from Scottish industry.

Playing for Scotland takes a look at the development of modern sports in the 19th century; migration from countryside to cities dramatically increased participation in sporting activities, and standardised rules were laid down for many modern sports. This exhibition covers Scotland’s four national sports – curling, shinty, golf, and bowls – and includes some interesting photographic images, such as those of early strong-men, which show how more leisure time increased people’s involvement in sporting activities.

Next to the Reformation to Revolution gallery is A Survey of Scotland. Largely composed of works on-loan from the National Library of Scotland, this showcase of John Slezer’s work which led to the 1693 publication of Theatrum Scotiae also includes some of the important early landscape paintings in the national collection.

The work of Scotland’s first portrait painter, the Aberdeen-born George Jamesone, takes up the other of the smaller exhibits on the east side of the refurbished building. As the first-ever dedicated display of Jamesone’s work, his imaginary heroic portraits of Robert the Bruce and Sir William Wallace are included.

On the west side of the building, the two smaller galleries currently house the Close Encounters and Out of the Shadow exhibits. Close Encounters is an extensive collection of the Glasgow slums photographic work of Thomas Annan. Few people are visible in the black and white images of the slums, making what were squalid conditions appear more romantic than the actual conditions of living in them.

The Out of the Shadow exhibit takes a look at the role of women in 19th century Scotland, showing them moving forward and becoming more recognisable individuals. The exceptions to the rules of the time, known for their work as writers and artists, as-opposed to the perceived role of primary duties as wives and mothers, are showcased. Previously constrained to the domestic sphere and only featuring in portraits alongside men, those on-display are some of the people who laid the groundwork for the Suffrage movement.

The first floor of the newly-reopened building has four exhibits on one side, with the library and photographic gallery on the other. The wood-lined library was moved, in its entirety, from elsewhere in the building and is divided into two parts. In the main public part, the original table from the Society of Antiquaries sits centred and surrounded by glass-fronted cabinets of reference books. Visible, but closed to public access, is the research area. Apart from a slight smell of wood glue, there was little to indicate to the tour group that the entire room had been moved from elsewhere in the building.

The War at Sea exhibit, a collaboration with the Imperial War Museum, showcases the work of official war artist John Lavery. His paintings are on-display, complemented by photographs of the women who worked in British factories throughout the First World War. Just visible from the windows of this gallery is the Firth of Forth where much of the naval action in the war took place. Situated in the corner of the room is a remote-controlled ‘periscope’ which allows visitors a clearer view of the Forth as-seen from the roof of the building.

Sir Patrick Geddes, best-known for his work on urban planning, is cited as one of the key influencers of the Scottish Renaissance Movement which serves as a starting point for The Modern Scot exhibit. A new look at the visual aspects of the movement, and a renewal of Scottish Nationalist culture that began between the two World Wars, continuing into the late 20th century, sees works by William McCance, William Johnstone, and notable modernists on display.

Migration Stories is a mainly photographic exhibit, prominently featuring family portraits from the country’s 30,000-strong Pakistani community, and exploring migration into and out of Scotland. The gallery’s intent is to change the exhibit over time, taking a look at a range of aspects of Scottish identity and the influence on that from migration. In addition to the striking portraits of notable Scots-Pakistani family groups, Fragments of Love – by Pakistani-born filmmaker Sana Bilgrami – and Isabella T. McNair’s visual narration of a Scottish teacher in Lahore are currently on-display.

The adjacent Pioneers of Science exhibit has Ken Currie’s 2002 Three Oncologists as its most dramatic item. Focussing on Scotland’s reputation as a centre of scientific innovation, the model for James Clerk Maxwell’s statue in the city’s George Street sits alongside photographs from the Roslin Institute and a death mask of Dolly the sheep. Deputy Director Kalinsky, commented that Dolly had been an incredibly spoilt animal, often given sweets, and this was evident from her teeth when the death mask was taken.

Now open daily from 10am to 5pm, and with more of their collection visible than ever before, the Scottish National Portrait Gallery will change some of the smaller current exhibits after 12 to 18 months on display. The ground-floor information desk has available five mini-guides, or ‘trails’, which are thematic guides to specific display items. These are: The Secret Nature trail, The Catwalk Collection trail, The Situations Vacant trail, The Best Wee Nation & The World trail, and The Fur Coat an’ Nae Knickers Trail.